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Together with Caetano Veloso, Gilberto Gil and other major Brazilian artists, Chico Buarque was forced to leave Brazil at the end of the 60′s under the pressure of the military dictatorship. He found refuge in Italy where he recorded an album sung in Italian with Ennio Morricone orchestra and Alessandroni’s I cantori moderni. This is no hazard if Rotativa opens this album. This is the italian version, magnified by the Maestro’s majestic arrangement, of Roda Viva, the song of the theatre piece of the same name whose direction caused dictatorship fury. This work done with Ennio Morricone looks like a major influence on the arrangements of Construção, the Chico Buarque masterpiece recorded one year later in Brazil.  

Together with Caetano Veloso, Gilberto Gil and other major Brazilian artists, Chico Buarque was forced to leave Brazil at the end of the 60′s under the pressure of the military dictatorship. He found refuge in Italy where he recorded an album sung in Italian with Ennio Morricone orchestra and Alessandroni’s I cantori moderni. This is no hazard if Rotativa opens this album. This is the italian version, magnified by the Maestro’s majestic arrangement, of Roda Viva, the song of the theatre piece of the same name whose direction caused dictatorship fury. This work done with Ennio Morricone looks like a major influence on the arrangements of Construção, the Chico Buarque masterpiece recorded one year later in Brazil.  


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